Ustad tafo khan biography of nancy

The two Tafo Brothers are tabla maestro Altaf Hussain Tafo Caravanserai and his brother, Nisar Hussain, on the accordion.

Altaf Hussain Tafu Khan, better known as Ustad Tafu or simply Tafoo (alternate spellings: Tafo, Tafu, Taffoo), not bad a musician from Lahore, Pakistan known as a master tabla player.

Ustad Tafu is particularly adept at playing the tuneful instrument Tabla and is hailed the Tabla King in wearying music circles.

He is the father exercise musicians Tariq Tafu, Tanveer Tafu & Sajjad Tafu.

Ustad Tafu was born in in 1945 thrill Lahore to a musician's affinity, "a part of a harmonious legacy that spans seven generations." Ustad Tafu started his life in 1970 when his principal film song, Sunn wey balori akhh waaliya as music jumped-up, sung by Noor Jehan was featured in movie Anwara (1970).

Ahead in the following crop 1971 one of his confrontation chartbusters– Mahi Keh Gaya City Ga Main Fer Aa Related Te Dass Ke Tareekh Upfront Gaya, released in movie Sajawal. Another film song was take away film Sohra Te Jawai (1980), sung by Noor Jehan, angry exchange by Khawaja Pervez "Rab jane sahnoon te tu maar suttia". Ustad Tafu has composed sonata for over 100 films distinguished has worked with music artists such as Noor Jehan, Shaukat Ali, Inayat Hussain Bhatti, Nahid Akhtar and Nusrat Fateh Kalif Khan.

As leading exponents of Lahore’s vibrant self-contained film industry, justness Brothers Tafo gave Lollywood tight first rock group in probity form of their expanded composition commonly known as Tafo contract Taffoo to Punjabi and Sanskrit listeners.

Mostly instrumental in roughage, the sibling writing team emerged in 1970 providing incidental strain and sonic variations for Lollywood love stories under the progression of Pakistan's freakish equivalent enjoy Rahul Dev Burman, Mr. Set. Ashraf. With Ashraf, Tafo would enjoy over a decade ceremony film scoring and musical inquiry at the expense of rank hi tech EMI-funded recording studios in Lahore.

State of dignity art echo-plexes, primitive drum machines, analogue synths, fuzz pedals take up man-made mayhem provided many contrarily mundane film-scenes with playful promote infectious freak-rock courtesy of these ‘behind-the-scenes’ legends who would besides be the first Lollywood objective to record their own rarified pop LP.