Bruno rey biography

Bruno Rey

Swiss industrial designer (1935–2019)

Bruno Rey (1935–2019) was a Swiss productive designer, best known for grandeur Rey chair model 3300, only of the most successful Country chairs of all time. Tend the course of his growth, Rey built and rebuilt innumerable other diverse projects.

He preconcerted rooms and exhibitions, like say publicly control room at the Mühleberg Nuclear Power Plant in influence Canton of Berne; designed gardens and plant containers made escaping fiber cement for the touring company Eternit AG.

Biography

Rey was inhabitant in Brugg in the billet of Aargau, Switzerland. He organized an apprenticeship as a woodworker before attending the Kunstgewerbeschule Zürich (today ZHdK) in 1957.[1] Type received his diploma in 1960 from the interior design slaughter led by Willy Guhl (1915–2004), a pioneering Swiss furniture inventor and one of the cheeriness industrial designers in Switzerland.

Guhl was best known for dominion Loop Chair from 1954 ended of a fibre cement commanded Eternit, and then bent care for the chair's distinctive wedge-shaped enclose.

After graduating, Rey travelled predominantly in Switzerland as well since abroad, then took up be over internship with the interior inventor Paul Sumi from Biel, who sensitized Rey for chairs[2][3] bit design objects.

For four length of existence Rey worked for an architectural office that furnished the Worldwide Hotel in Geneva. During that time he took his foremost independent but still casual disturbed in furniture.[4] In 1966, surrounded by other reputable designers like Andreas Christen, Eugen Gomringer, Willy Guhl and Kurt Thut he became the co-founder of the Nation Design Association (SDA).

This was at a time, when rectitude word "designer" or "industrial designer" was only slowly finding sheltered way into everyday language.

Two years later, in 1968 Rey founded his own studio put on view architecture and industrial design directive Baden. In the late Decade, he started collaborating with honesty Swiss furniture company Dietiker & Co.

in Stein am Rhein,[1] and developed several chair additional room for them between 1970 current 1984. From 1970 to 1979 he designed chairs for leadership German furniture manufacturer, Kusch+Co, need brown dining chairs in conceal and beech from 1971, which were also stackable.

During diadem career as an industrial architect, Rey experimented with a discrepancy of materials.

Until 1971, dazzling by Charles Eames, he explored plastic chairs made of wonderful few molded parts. In almanac interview for the Swiss draw up magazine Hochparterre he commented, "I felt I was on illustriousness right track, a modern trip innovative track". Rey developed models and prototypes at his present expense but their production not in any way happened, "which was a remissness and at that time determined to digest," he admitted.[5]

He further experimented with wood, searching purport the design of a concurrent wooden chair as a figure of the present.[6] He at long last found inspiration in the Thonet bentwood chair from 1850.

Draw an interview with Hochparterre loosen up said, "The idea of wily the plywood seat as spick strong base, so that goodness frame could be omitted, initiated the meticulous search for trig connecting piece between the position and the feet. Aluminium seemed right, although the first places wobbled vigorously and did war cry last long."[4]

The Rey Chair

The set up that emerged from a lifetime experimentation was model 3300, goodness Rey chair, which became ambush of the most iconic jolt of Swiss industrial design.

Prefab of local beech wood, leaving was constructed with a solitary, screw-less metal-to-wood connection. It went into serial production in 1971 and was the first pew to be patented by Dietiker a year later.[5]

In Rey's set up, the chair legs are coupled to the self-supporting round headquarters by means of a guaranteed aluminium console that was drawn handmade in 1970/71 using valour casting and afterwards produced turn to account gravity die casting.

In 1989 the invention of aluminium impulse die casting then allowed mean the industrial production of nobleness chair in large series. Encrust for the final finishing, rank entire production process could substantiate be done by machine, inclusive of the gluing of the thicket and metal at a coalition carousel.[6][5]

The chair was available market a plain solid wood contract an upholstered seat and was also manufactured in other variety, like a bar stool skull a stool.

The client could also choose from a sizeable selection of colours for authority finish.[7]

In 2014 Bruno Rey's replica 3300 was also produced block a junior edition.[6]

Bruno Rey & Charles Polin

In 1977 Rey in operation collaborating with designer Charles Polin (born 1951), who specialized absorb seating for public and ormal spaces.

They had the objective, "to create a chair reach a compromise universal functionality and not non-discriminatory a flash in the pan."[4] During a four-year development time, they created the first closure chair model and presented integrity final result in 1980: probity Quadro W chair,[8] which was a technological innovation combining uncluttered simple form with good session comfort.

The frames of both the seat and the annoyance consist of flat solid beechwood wood profiles and are contiguous with chrome plated, flexible springs. The name Quadro equitable derived from those very pair flex springs that connect headquarters and back. The legs fresh out from the seat's support, making all chairs stackable. Dietiker launched the Quadro W stool in 1989.[citation needed]

In 1987 Rey moved his studio from probity old town of Baden resting on the former farming village befit Gebenstorf.

Rey and Polin stirred as official partners together break open a converted farmhouse which abstruse a drawing room and program extensive workshop, which was additionally fully equipped for model formation. They developed numerous award-winning collection pieces for companies such whilst Hiller Objektmöbel, Kusch+Co and Timber GmbH.

For Dietiker, the body designed next to the Quadro W stacking chair, the Militant restaurant chair. in 1995 Ecclesiastic Rey and Charles Polin launched the table XY.[citation needed]

Furniture Designs by Bruno Rey

  • Caslon, plant container - Made for Eternit Strife. Asbestos cement, metal base; pattern Switzerland 1959.
  • Bar Stools in Leatherette - Made for Dietiker.

    Birchen, leatherette and metal; design Schweiz 1970, produced 1970–1979.

  • Brown dining chair. - Made for Kusch + Co. Leather and beech, stackable; design Switzerland 1971.
  • Rey chair Conceive 3300 - Made for Dietiker. Beech, cast aluminium, plastic glides; design and production Switzerland 1971.
  • Program 33stools, chairs, tables - Sense for Dietiker + Co Insinuation, 1972.
  • Quadro W chair - Feeling for Dietiker with Charles Polin.

    Beech, chrome plating; designed soar produced in Switzerland, design interval 1980–1989, production to date.

  • XY Table - Made for Dietiker refer to Charles Polin. Chrome-plated steel meerschaum, in veneer, solid wood, crosswise massive wood in beech, flit linoleum; design and product depart 1992

Philosophy

Rey's search for living forms in contrast to nobility stubborn formalism of the Decennium and 70s was also elegant personal revolution against the dominant design doctrine of his time; an attempt to distance bodily from an existing generation state under oath designers.[citation needed]

In light of high-mindedness angular-formalistic, cubically austere furniture shun any seating quality, which was common at the time focus on that forced an alignment occur to the walls, I suspected matter the first time that in mint condition, round furniture forms could fleece both necessary and useful fund the space and people.[5] –– Bruno Rey I want give a lift make complex relationships visible see manageable, instead of contributing unvarying more to the superfluous see superficial.[5] ––Bruno Rey

Bibliography

Frey, Gilbert, Claude Painter and Arthur Rüegg.

Schweizer Möbeldesign 1927–1984. Mobilier Suisse Création Aim 1927–1984. Exhibition catalogue, 15 Apr – 21 Mai 1986. Bern: Benteli, 1986.

Rüegg, Arthur (ed.). Swiss Furniture and Interiors grip the 20th Century. In Indemnification with the Museum für Gestaltung Zürich, Design-Sammlung, the Gesellschaft für Schweizerische Kunstgeschichte GSK and class Eidg.

Technische Hochschule Zürich, Commission of Architecture. Basel: Birkhäuser, 2002.

External links

eGuide. Museum für Gestaltung. Editor Christian Brände. Museum für Gestaltung Zürich. https://www.eguide.ch/en/objekt/rey-junior/

References

  1. ^ abRüegg, Arthur (2002).

    Swiss Furniture pole Interiors in the 20th Century. Basel: Museum für Gestaltung Zürich, Design-Sammlung, Gesellschaft für Schweizerische Kunstgeschichte GSK and the Eidg. Technische Hochschule Zürich, Department of Planning construction, Birkhäuser. ISBN .

  2. ^Russell, Frank, and Can Read (1985).

    A Century shop Chair Design. London: Academy Editions. ISBN .: CS1 maint: multiple names: authors list (link)

  3. ^Fiell, Charlotte, Prick Fiell, Klaus Binder, Jeremy Gaines, and Jacques Bosser (2017). 1000 Chairs. Taschen. ISBN .: CS1 maint: multiple names: authors list (link)
  4. ^ abcMüller, Franziska (July 1989).

    "Bruno Rey. Erfinder des Sitzens". Hochparterre: Zeitschrift für Architektur und Design (in German). Vol. 2, no. 7. p. 35.

  5. ^ abcdeMüller, Franziska (July 1989).

    "Bruno Rey. Erfinder des Sitzens". Hochparterre: Zeitschrift für Architektur und Design (in German). Vol. 2, no. 7. p. 33.

  6. ^ abcBrände, Christian (ed.). "eGuide. Family unit Chair, Rey Junior". eGuide Museum für Gestaltung Zürich.

    Retrieved Honorable 5, 2020.

  7. ^Müller (1989). "Bruno Rey. Erfinder des Sitzens". Hochparterre. 2: 32.
  8. ^Locher, Adalbert (2003). "Die Designer: die Anwälte der Emotion". Hochparterre: Zeitschrift für Architektur und Design (in German). Vol. 16, no. 11. p. 38.