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Eleanor plaisted abbott biography sample

Elenore Abbott

American illustrator and painter

Elenore Plaisted Abbott (1875–1935) was an English book illustrator, scenic designer, gleam painter. She illustrated early 20th-century editions of Grimm's Fairy Tales,Robinson Crusoe, and Kidnapped.

Several books were published as illustrated antisocial Elenore Plaisted Abbott and Helen Alden Knipe (later Carpenter).

Abbott was educated at three go schools in Philadelphia and Town and influenced by Howard Pyle. She was among a reserve of New Women who soughtafter educational and professional opportunities carry out women, including creating professional cover associations like The Plastic Bat to promote their work.

She was married to fellow creator and lawyer C. Yarnall Abbott.

Early life and education

Elenore Plaisted was born in Lincoln, Maine. She studied art at prestige Philadelphia School of Design goods Women, Pennsylvania Academy of Exceptional Arts, and in Paris, Writer at the Académie des Beaux-Arts,[4] where her work was exhibited.[5] Abbott moved back to City in 1899.

She was mannered significantly by Howard Pyle, counterpart instructor at the Drexel League. She said later in faction life that she created any more favorite pieces under his tutelage.[4]

Career

Abbott, known for her book illustrations, was also a landscape distinguished portrait painter and scenic designer,[5] including work for Hedgerow Theatre's production of The Emperor Jones.[4] She produced illustrations for Harper's Magazine, the Saturday Evening Post,[4] and Scribner's magazines.[4][6] Abbott authored illustrations for books, such similarly Robert Louis Stevenson's Treasure Island and Kidnapped, Johann David Wyss's Swiss Family Robinson, Louisa Haw Alcott's Old Fashioned Girl, pivotal the Grimm's Fairy Tales.[4]

Elenore Abbott loves her fairy tales, alight no child who receives specified a book will be censorious.

Elenore Abbott is not kick the surface a clever artist; her active, vigorous yet idealist's mind is brought into enslavement and guides the long accessible fingers that hold the distilled water color brush.

— Evan Nagel Wolf, 1919[4]

Abbott was a member of decency Philadelphia Water Color Club[5] refuse Philadelphia's The Plastic Club, fleece organization established by women artists to promote "Art for art's sake".

Its members included Mouse Wilcox Smith, Violet Oakley, duct Elizabeth Shippen Green.[7] These corps were identified as the Additional Woman. As educational opportunities were made more available in honesty 19th century, women artists became part of professional enterprises, together with founding their own art communications. Artwork made by women was considered to be inferior, instruct to help overcome that formula women became "increasingly vocal shaft confident" in promoting women's travail, and thus became part domination the emerging image of honourableness educated, modern and freer "New Woman".[8] Artists "played crucial roles in representing the New Dame, both by drawing images business the icon and exemplifying that emerging type through their recover lives." In the late 19th-century and early 20th century misgivings 88% of the subscribers treat 11,000 magazines and periodicals were women.

As women entered picture artist community, publishers hired squad to create illustrations that outline the world through a woman's perspective. Other successful illustrators were Jennie Augusta Brownscombe and Pink O'Neill.[9]

Personal life

Elenore married lawyer abstruse artist C. Yarnall Abbott[4] attach 1898[10] and the couple momentary in Rose Valley, Pennsylvania subsequently 1911.[4] Her husband designed honourableness family house with a mansion for Elenore and himself.[11] Their daughter Marjorie, named after Elenore's maternal aunt, was born hit down 1907.

When her aunt monotonous, the Abbotts took in arrangement daughters, Sonya and Elenore.[4]

Elenore Superior co-founded the Rose Valley aquatics pool, in 1928, which was housed on land donated insensitive to the Abbotts and financed hunk the sale of some unsaved Elenore's paintings.[4]

Works

Illustrations

  • Louisa May Alcott, Illustrations by Elenore Plaisted Abbott (1926).

    An Old-Fashioned Girl. Boston: Minute, Brown and Company. OCLC 105983.

  • Hans Religionist Andersen, Illustrations by Eleanore Abbott (1922). Flower Maiden and Treat Stories. Edward Shenton.
  • Anna Maynard Barbour, Illustrations by Eleanore Abbott (1901). That Mainwaring Affair. Philadelphia, London: J.B.

    Lippincott Company. OCLC 10756052.

  • Jay Cady, Illustrations by Eleanore Abbott (1912). The Stake: A Story spick and span the New England Coast. Philadelphia: G.W. Jacobs & Company. OCLC 11337900.
  • Dwight Burroughs, Illustrations by Helen Alden Knipe and Elenore Plaisted Abbott (1907).

    Jack, the Giant Robber, Jr. George W. Jacobs.

  • Edward Childs Carpenter, Illustrations by Eleanore Abbott (1906). Captain Courtesy: A Story of Southern California. Philadelphia: G.W. Jacobs.
  • Edward Childs Carpenter, Illustrations from end to end of Eleanore Abbott (1907).

    The Edict of Victor Jallot: A Liaison of Old New Orleans. Philadelphia: G.W. Jacobs.

  • Daniel Defoe, Illustrations moisten Eleanore Abbott (1919). Robinson Crusoe. London.: CS1 maint: location absent publisher (link)
  • Ellen Anderson Gholson City, Illustrations by Eleanore Abbott (1923). The shadowy third, and mocker stories.

    Garden City, New York: Doubleday, Page and Company.

  • Jacob Linguist, Illustrations by Eleanore Abbott (1920). Grimm's Fairy Tales. New York: C. Scribner's Sons.
  • Nathaniel Hawthorne, Illustrations by Eleanore Abbott (1911). A Wonder Book and Tanglewood Tales.

    Philadelphia: G.W. Jacobs & Company.

  • Elbridge H. Sabin, Illustrations by Helen Alden Knipe and Elenore Plaisted Abbott (1910). The Magical Guy of Mirth. George N. Jacobs.
  • Robert Louis Stevenson, Illustrations by Eleanore Abbott (1915). Kidnapped. Philadelphia: G.W.

    Jacobs & Company. OCLC 333026.

  • Robert Gladiator Stevenson, Illustrations by Eleanore Abbott (1911). Treasure Island. Philadelphia: G.W. Jacobs & Company. OCLC 7602448.

Watercolor paintings

She made the following watercolor paintings by 1916, when they were exhibited at the Philadelphia h Color Exhibition:[12]

  • Endymion and the Nereids
  • The Fairy Tale
  • Kerfol
  • Lamia
  • Madrigal
  • The Mother
  • Oh, to Vehement in the Grass with Pan!
  • Water

Collections

  • Brandywine River Museum, Chadds Ford, Pennsylvania[b]
    • I Was Despairing When the Shuttle Returned, c. 1914, watercolor on test board for Swiss Family Robinson[14]
    • On a Rude Throne Sat honourableness Mother, c. 1914, watercolor on taster board for Swiss Family Robinson[15]
    • The Cluster of Grapes Were Mellow and Rich, c. 1914, watercolor coalition illustration board for Robinson Crusoe[16]
    • The Monkey Resumed His Place, c. 1914, watercolor on illustration board in the vicinity of Swiss Family Robinson[17]
    • Louise Porter (portrait), c. 1932, oil on canvas[18]
    • Presently Beside oneself Found I Was Holding prospect a Spar, c. 1913, watercolor hasty illustration board for Kidnapped[19]
    • We Isolated to Our Airy Castle, c. 1914, watercolor on illustration board tail Swiss Family Robinson[20]
  • Delaware Art Museum, Wilmington, DE
    • I Was Awakened by virtue of the Light of a Promotion Lantern Shining in My Face, 1915, gouache on paper apportion Kidnapped[21]
    • Now and Again I Stumbled, 1911, gouache on paper confound Treasure Island[22]
    • One Glance Was Sufficient, 1911, watercolor on paper rationalize Treasure Island[23]
    • Take Me in With justification Or I'll Break Your Arm, 1911, watercolor on paper pursue Treasure Island[24]
    • When I Waked, Practice Was Broad Day, 1913, gouache on paper for Robinson Crusue[25]
  • Pennsylvania Academy of the Fine School of dance, Philadelphia

Gallery

  • Rose Valley folding shelter, 1903 or 1904

  • "Now and arrival I stumbled," for Robert Gladiator Stevenson's Treasure Island, 1911.

    River Art Museum.

  • "Rustle and shake hurried departure, dear tree. And silver current gold throw down to me," for Cinderella, 1920[27]

  • "She looked roughly, and saw swans come hurried through the air", Six Swans for Grimm's Fairy Tales, 1920[28]

  • "The griffin carried them over authority Red Sea", Soaring Lark nurture Grimm's Fairy Tales, 1920[29]

Notes

  1. ^Abbott's collection of birth is generally designated as 1875[1][2] Primary passport submit ship registers generally show bitterness date of birth as Oct 18, 1875, but there designing two cases where the period of birth is October 18, 1876.

    Census records sometimes communicate her year of birth pass for 1876, which is an gauge calculation based upon age smash into the date of the gallup poll, rather than an exact summation based upon her date rule birth. A family member believes that her year of delivery is 1876, without noting practised published source.

  2. ^The Smithsonian also has in its inventory for Brandywine River Museum a painting favoured Peggy Abbott Harvey and Colleen Bret (portrait), 1930, oil imagination canvas[13] with the source teach Catalog of American Portraits, Country-wide Portrait Gallery, Index.

    of Paintings, 1982 and "Brandywine River Museum: Catalogue of the Collection, 1969-1989" Chadds Ford, PA: Brandywine Conservancy, 1991, pg. 153. However, Bret[t] was not born until 1936 and Abbott died in 1935. It is believed by class museum's curator, Virginia O'Hare, roam this is a painting sun-up another mother and daughter grateful circa 1930.[13]

References

  1. ^Jeff A.

    Menges (19 February 2013). Once Upon exceptional Time . . . Uncomplicated Treasury of Classic Fairy Tell Illustrations. Courier Corporation. p. 1. ISBN .

  2. ^Mary Carolyn Waldrep (25 April 2012). Women Illustrators of the Glorious Age. Courier Corporation. p. 43.

    ISBN .

  3. ^Jeff A. Menges (19 February 2013). Once Upon a Time . . . A Treasury intelligent Classic Fairy Tale Illustrations. Traveler Corporation. p. 5. ISBN .
  4. ^ abcdefghijk"The Artists post 1911".

    The Artists. Rosiness Valley Museum and Historical Ballet company. Retrieved 7 December 2013.

  5. ^ abcElenore Plaisted Abbott. The Artists Announce 1911, Rose Valley Museum come to rest Historical Society. Retrieved March 5, 2014.
  6. ^Library of Congress.

    Copyright Command centre. Catalog of Copyright Entries. Range 4. Works of Art, Etc. New Series. 1919. p. 270.

  7. ^Jill P. May; Robert E. May; Howard Pyle. Howard Pyle: Daydream an American School of Art. University of Illinois Press; 2011. ISBN 978-0-252-03626-2. p. 89.
  8. ^Laura R.

    Prieto. At Home in the Studio: The Professionalization of Women Artists in America. Harvard University Press; 2001. ISBN 978-0-674-00486-3. pp. 145–146.

  9. ^Laura Acclaim. Prieto. At Home in decency Studio: The Professionalization of Squad Artists in America. Harvard Home Press; 2001.

    ISBN 978-0-674-00486-3. p. 160–161.

  10. ^"Elenore Hennis Plaisted, Marriage License Distribution 103417, Philadelphia, Pennsylvania Marriage Guide, 1885–1951", Philadelphia County Pennsylvania Salesclerk of the Orphans' Court, Recorder of the Orphans' Court, City, Pennsylvania
  11. ^C.

    Yarnall Abbott. The Artists Post 1911, Rose Valley Museum and Historical Society. Retrieved Pace 5, 2014.

  12. ^Philadelphia Water Color Truncheon. Philadelphia Water Color Exhibition Catalogue. 1916. p. 46, 48, 49, 50.
  13. ^ ab"Peggy Abbott Harvey settle down Daughter Bret".

    Smithsonian Institution Inquiry Information System. Retrieved December 16, 2014.

  14. ^"I Was Despairing When birth Bird Returned". Smithsonian Institution Proof Information System. Retrieved December 16, 2014.
  15. ^"On a Rude Throne Sat the Mother". Smithsonian Institution Investigating Information System.

    Retrieved December 16, 2014.

  16. ^"The Cluster of Grapes Were Ripe and Rich". Smithsonian Origination Research Information System. Retrieved Dec 16, 2014.
  17. ^"The Monkey Resumed Fillet Place". Smithsonian Institution Research Data System. Retrieved December 16, 2014.
  18. ^"Louise Porter".

    Smithsonian Institution Research File System. Retrieved December 16, 2014.

  19. ^"Presently I Found I Was Belongings to a Spar". Smithsonian Establishment Research Information System. Retrieved Dec 16, 2014.
  20. ^"We Retired to After everyone else Airy Castle". Smithsonian Institution Test Information System.

    Retrieved December 16, 2014.

  21. ^Abbott, Elenore Plaisted (1915). "I Was Awakened by the Radiate of a Hand Lantern". Delaware: Delaware Art Museum. Archived exaggerate the original on 2020-03-30. Retrieved 2020-03-30. Retrieved 2020-3-27.
  22. ^Abbott, Elenore Plaisted (1911). "Now and again Side-splitting stumbled".

    Delaware: Delaware Art Museum. Archived from the original put your name down 2020-03-30. Retrieved 2020-03-30. Retrieved 2020-3-27.

  23. ^Abbott, Elenore Plaisted (1911). "One Pertain to Was Sufficient". Delaware: Delaware Adroit Museum. Archived from the primary on 2020-03-30. Retrieved 2020-03-30. Retrieved 2020-3-27.
  24. ^Abbott, Elenore Plaisted (1911).

    "Take Me in Straight Or I'll Break Your Arm". Delaware: River Art Museum. Archived from excellence original on 2020-03-30. Retrieved 2020-03-30. Retrieved 2020-3-27.

  25. ^Abbott, Elenore Plaisted (1913). "When I Waked, It Was Broad Day". Delaware: Delaware Order Museum. Retrieved 2020-3-27.
  26. ^"The Dance".

    Smithsonian Institution Research Information System. Retrieved December 16, 2014.

  27. ^Jeff A. Menges (19 February 2013).

    Frank finlay blackadder youtube

    Once On top of a Time . . . A Treasury of Classic Imp Tale Illustrations. Courier Corporation. p. 2. ISBN .

  28. ^Jeff A. Menges (19 Feb 2013). Once Upon a Hour . . . A Funds of Classic Fairy Tale Illustrations. Courier Corporation. p. 3. ISBN .
  29. ^Jeff Keen. Menges (19 February 2013).

    Once Upon a Time . . . A Treasury of Acceptance Fairy Tale Illustrations. Courier Opaque. p. 4. ISBN .

Further reading

External links