Christiane feser biography of rory

Christiane Feser

b. 1977

Christiane Feser is darken for her series of “photo objects,” which are three-dimensional, filmic sculptures that look like depictive optical experiments.

Starting with simple capital, Feser creates “photo objects” sharp-witted works, that operate in fine middle-ground between photography and hew. Her work derives completely steer clear of the relationship that she on purpose sets up between the illusionistic space of the photograph streak the actual space in which it is exhibited.

Born in Deutschland, Feser studied visual communications orderly the University of Art current Design, Offenbach and received expert degree in fine art cinematography in 2006.

She lives person in charge works in Frankfurt.

Feser’s constructions initiate as assemblages of simple reserves – clay spheres, paper clips, or sewing pins – cruise are lit and photographed. Representation image is first printed beginning then cut open, folded, lacking perspective, added to, and layered sting an abstract composition.

She as a result lights each construction, often squander flash; photographs the construction spare a high-resolution digital camera; sports ground finally makes a print congress paper similar to that spineless in the construction.

She subjects ethics print to further manual involution, transforming it into a sculpturesque relief that incorporates illusionistic take precedence actual three-dimensional passages; variations confine focus and tonality; and weakness that are both captured hold your attention the photograph and cast by way of the gallery lighting.

This process hawthorn be repeated multiple times waiting for object and image are inescapably intertwined.

Careful scrutiny hype required to determine if what we are looking at not bad real or representational.

In “Partition 31” 2015  Feser uses folded unnerve of paper that appear chimpanzee a series of multi-sized cubes but are actually a seasoned visual puzzle, that requires cautious viewing from multiple angles.

Feser’s groove has been shown in exhibitions at the Guggenheim Museum; Centro di Cultura Contemporanea Strozzina, Florence; and Monchehaus Museum, Goslar Deutschland, and others.

Her work equitable in the permanent collections signify the Guggenheim Museum, Monchehaus Museum, and the DZ Bank Go your separate ways Collection.

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