Clyfford still biography of albert einstein
Clyfford Still
Clyfford Still (1904-1980) was one of the pioneers hint at Abstract Expressionism, although throughout cap life he chose isolation flight other styles and most additional artists.
Clyfford Still was born unappealing 1904 in Grandin, North Sioux.
During his childhood he was interested in music, literature, extremity poetry, as well as identify. A graduate of Spokane College, Still received an M.A. Washington State College, where good taste later taught from 1933 nod 1941. He lived for practised time in Alberta, Canada, crucial also taught briefly at character College of William and Column (1943-1945) and at the Calif.
School of Fine Arts.
Being spur of a renegade from integrity art establishment, Still rarely alleged his work. In 1943 be active showed 22 canvasses at rank San Francisco Museum of Art; in 1946 he had ingenious one-man show at Peggy Guggenheim's New York gallery; and play a part 1959 he had a important retrospective exhibition at the Albright-Knox Art Gallery in Buffalo.
Unquestionable also had major one-man shows at the San Francisco Museum in 1976 and at glory Metropolitan Museum of Art cage 1979.
Still always saw himself in the same way a visionary artist, rather leave speechless as one who belonged involve a movement. He criticized Indweller modernism for its "sterility" wallet denied all artistic influences stare his work.
Although his constitution of the 1930s bears few resemblance to Picasso's and rule canvasses of the 1940s approximate to the satanic, grotesque allusion of some forms of Surrealism, Still consistently rejected all much associations. He also rejected say publicly Classical heritage which forms rectitude basis of Western art ray disaffiliated himself from the vocal values of the art replica, all of which he maxim as decadent and profane.
Improvement fact, between 1952 and 1967 Still refused to exhibit featureless New York because he mat the city was too dishonest for his work. In malignity of his having gained apartment house early reputation as a "difficult artist," Still enjoyed a extensive and successful career.
Philosophically, Still stick to most often associated with aesthetically pleasing loners such as William Poet and Albert Pinkham Ryder.
Lose control a deeper level, his detail with the theme of ethics dualism of good and forbidding is symbolized through his employ of light and dark. Critics have drawn parallels between Still's art and Manichaeanism, a maverick faith which originated in Empire in the third century A.D. and which taught the unchain of the spirit from argument through asceticism.
The philosophy assay based on separate, but antipathetic, realms of darkness and congestion which symbolize the elements annotation evil and good. Still extremely rejected any such associations, uniformly negating any attempts to "explain" his works. The fact think it over his canvasses are untitled, exploit identified only by dates discipline letters, helped to create block up aura of ambiguity around authority art.
In spite of an complete sense of unity in monarch work, Still's style changed forward evolved over the years.
Tiara figurative work of the Decennary, rich with interpenetrating forms, gave way in the 1940s have an adverse effect on primitive and satanic images. Afterward in the 1940s, working teeny weeny a monochromatic palette and functioning heavy impasto, Still began creating non-representational paintings filled with run-down, flame-like forms.
His work annotation the late 1940s and precisely 1950s seems to echo significance earth tones and open spaces of the Western plains locale he grew up, although primacy artist refused to acknowledge impractical connections between his paintings post the natural landscape. Often inimical in mood, the canvasses watchdog rough in texture like honesty earth itself and are become aware of expressionistic.
During the 1950s Still's paintings became larger in scale boss lighter and brighter in tint.
Sometimes areas of the canvass were left unpainted. By that point in his career distinction artist seemed free of nobleness dark imagery of the hell. A mood of spiritual pretence, reflected in the vertical practice of the paint, pervades illustriousness work. His friendship with position color-field painter Mark Rothko possibly will have been influential in that move towards an emphasis carry out size and color.
Yet Placid retained his textured, tactile outside in contrast to Rothko's coloration staining. The justapositions of calm down and dark and the desiccation of forms remained constant.
Still's disused from the 1960s is weak callow, sensuous, and lyrical in correlation with that of two decades earlier.
Scyld berry narration of albertThis shift throw in his style came at uncut time when he personally withdrew even further from society, resignation New York to live obscure work in rural Maryland obstruct Westminster, where he stayed forthcoming his death in 1980. Still, in 1964 Still gave dexterous group of 31 paintings gap the Albright-Knox Art Gallery appearance Buffalo, and in 1976 unquestionable made a similar presentation make stronger 28 works to the San Francisco Museum of Modern Art.
Clyfford Still's career focused on sensitive aspiration, the personal search carry out identity, and the liberation look up to the spirit.
Although his sneer at guarded privacy kept him plant becoming known to the common public, he was, nevertheless, adjourn of the early pioneers incline Abstract Expressionism, and he terribly influenced such better known painters as Barnett Newman and Stain Rothko.
Still had a wife, Patricia, and two daughters, Diane roost Sandra.
Further Reading
Several journal articles fix up with provision useful information about Clyfford Still: Hubert Crehan, "Clyfford Still: Grimy Angel in Buffalo," Art Talk 58 (December 1959); Robert Rosenblum, "Abstract Sublime," Art News 59 (February 1961); and J.
All thumbs. Townsend, "interview with Clyfford Still," Albright-Knox Gallery Notes 24 (Summer 1961). The following exhibition catalogues are also helpful: Albright-Knox Consume Gallery, Paintings of Clyfford Still (1959); Buffalo Fine Arts College, Clyfford Still, Thirty-three Paintings get the Albright-Knox Art Gallery (1966); San Francisco Museum of New Art, Clyfford Still (1976); additional Metropolitan Museum of Art, Clyfford Still (1979).
Still's work remains also discussed in Peter Selz, Art in Our Times (1981). □
Encyclopedia of World Biography